“All My Sons”
by Arthur Miller
included in the “Arthur Miller Collection” from L.A. Theatre Works
Performed by: James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O’Neil, Nathan Taylor and Jerry Whiddon.
Produced by L.A. Theatre Works
Approx. 2 Hours.
I’m continuing my run through this collection of 10 plays by Arthur Miller that is “The Arthur Miller Collection” from L.A. Theatre works and this next play is “All My Sons.” I’m going to include this in one of the depressing plays from Arthur Miller, the entire premise is sad, and in fact this one really reminded me of a classic Greek Tragedy, in that a character committed an act that haunts him until his tragic end. This time around the act is to allow faulty aircraft parts to go out during war and end up killing pilots.
Before we talk about the story I have to talk about the production itself. L.A. Theatre Works produces plays in audio format and every one I have heard, so far, has been a joy to hear. Not necessarily due to the subject matter, as this play proves, but in the production itself. Each performance is recorded with a live cast and with all the elements combined the listener feels as though they are placed smack-dab in the middle of the audience. Being a student of theatre I was leery at the idea of theatrical performances in audio format. The reason being, theatre is a visual art. But the excellent production in all of LATW’s releases have taken the visual part out of the equation and mad these fully enjoyable in audio only format. In all my previous listenings, LATW has pulled this off perfectly.
With that said there was one minor scene in this story that just didn’t work right for me. I’m not sure if it was because I was missing something visually or what but it just didn’t feel right. It’s the scene where Kate’s brother, George comes back to confront Joe about the criminal act that put George & Kate’s father in prison while Joe went free. When he arrives he was very angry, then suddenly in the scene he was congenial and ready to go out to dinner, only to immediately go back to being angry and storming off. The mood changes in this scene seemed forced and just didn’t make sense at the moment. However the scene is needed and later on in the performance all goes back to being perfectly performed and produced that that scene is forgiven. By no means let that keep you from listening to this otherwise stellar performance of “All My Sons.”
Another aspect of all the productions of LATW is the casting. Each time I hear one of these performances I love knowing the actors names. In this performance Arye Gross portrays Chris the son who is the center of the play, and he owns the part. His portrayal is spot on and superb. Sure, he’s got the support of James Farantino and Julie Harris, but Gross just makes the character come to life in his performance.
In August 1946 Joe Keller, a self-made businesmann, who once manufactured parts for the war effort, is contemplating a tree that has been taken down by a recent storm. The tree was planted in memory of his son, Larry, who died in the war. His son, Chris, is visiting and has invited Larry’s girlfriend to the homestead to ask her to marry him. The problem with all of this is that Kate, Joe’s wife and Chris’s mother, believes Larry is still alive and will coming back.
Ann’s father is in prison for selling faulty engine blocks for p-40 aircraft that ended up killing the pilots that flew with them. He claims that he alerted Joe to the problem but Joe had the parts sent out anyway so he wouldn’t lose the government contract. Joe says he was sick the day that Steve, Ann’s father, called and did not know. A neighbor reveals that everyone on the block thinks Joe is guilty.
Kate says Joe cannot be guilty because that would mean he killed their son and all those other boys. In a play where family secrets are kept tight and the final outcome could destroy everyone, Arthur Miller has written a depressing yet eye-opening play. The idea of business matters over safety is a lesson that is apropos even today.